Orgasm as Poetic Commodity
I was looking for a tiny thing
Instead I found a dead thing under the bricks
We knew there were more dead things under the bricks
But we did not want to look for them out of fear of discovering them
All the same we had to find them
But the owners of the dead things were gone and we were trying to get on with our
lives
We had little things of our own that needed us
We had careers to launch, deaths to document
In the city they were writing poems about orgasms
We cared about orgasms, but not the way we were supposed to
We found tiny things under bricks and we wrote poems for them, but the editors told us
they would prefer it if we wrote poems about orgasms
What kind of poems about orgasms?
Oblique ones in which the orgasm is a commodity whose value in the literary
marketplace can only be understood through the most subtle form of capitalist
discourse
Orgasm for orgasm’s sake, was a mantra that was often repeated in those days
There were orgasm poems everywhere and the little things we kept finding under
bricks were not, we were told, appropriate subjects for the present moment
We wrote on our blogs: it’s not our fault we keep finding dead things under bricks
We too love orgasms, but it’s sometimes hard to access desire when death is just so near
to your body
Hated that last phrase
Revised it over and over again so it didn’t sound like advertising copy
But the editors want poems that sound like advertising copy
Once while we were finding little things under the bricks, we made some calculations
I’ll give you fourteen orgasms in exchange for private information about how to craft
the appropriate language when writing an orgasmic poem about the destruction
of our village
Take away my entitlements, please, I don’t care much about my body anymore
Young men in our town fantasize about privatizing the bodies of older women with a
vast array of experience
Older women fantasize about privatizing the bodies of young men with no experience
We were looking for little creatures when we found used condoms buried under the
rocks
Inoculation which also helps to prolong the sexual act due to issues of friction and
lubrication
I was about to have an orgasm when she said wait wait pull out okay
Why would you want to have kids if you’re unhappy, anyway, she said
If you’re unhappy there’s no reason to have kids
You need to be happy in order to take care of the emotional and physical needs of
another living being
Lost my erection
We wedged out the little things from beneath the rocks and we were surprised to find
poems in their mouths that told us stories about our lives we had not yet been
able to articulate
For instance, I had no idea I was sexually attracted to the smell of injustice
I had no idea that if given the choice I would rather imitate my own body than imitate
the body of someone whose body is more poetic than my own
This is an opportunity to use the orgasm as a way of making sense of these senseless
tragedies
Being alive is a senseless tragedy: this is the subject of at least 94,000 American poems
Every time there is a problem with your orgasm, I am informed about it through
electronic messages I do not wish to receive
Lots of men writing sexual poems in couplets these days
It’s so Hiroshima Mon Amour of you to try to get laid during the documentation of a
foreign tragedy
I Googled myself again this morning
Nothing new
I am terribly afraid of disconnection
I need to hold onto your body as I search for other bodies beneath the rocks
I should take a little break, eat a little lunch then come back and make this poem more
intense
Peanut butter, banana, yogurt, dark chocolate
Now I’m ready to tell you something:
I found some bones beneath the sand and I gave them to a man who claims to be able to
identify to whom the bones belong
I found a foot in the sand
It was still wearing a sock
I put the foot with the sock in a plastic bag and put it on my mantle and imagined that it
was my father’s foot and at night I took the foot out of the bag and I caressed it
If we don’t have a baby now, time’s a ticking
The foot was in the room with us when we conceived you, my mother told me
This might be why you are so obsessed with decomposition
In the hotel in the underground caves, an employee spent many hours trying to make
sure that our cable television functioned properly
Was I supposed to give him a tip
We tried to conceive a child while CNN played footage of an atrocity in a distant ‘third
world’ village
Summary: rhythm and cadence could use some work but the themes were suitable,
easily relatable for a sophisticated, contemporary audience
As a joke they sent us Jews to the confessional so we could have an authentic, foreign
experience
We fucked while watching war footage on CNN and fondling a decomposing foot we
found in the desert
We hiked through the Pacific Northwest until we found a group of citizens who enjoyed
making love to the earth
They invited us to stick our penises in a hole in the ground
Show your appreciation to the earth, they said, by fucking it
Stay awhile, take a load off, unwind inside our mother, for a change
At the very least join us for tea
biography
DANIEL BORZUTZKY‘s books include In the Murmurs of the Rotten Carcass Economy (Nightboat, forthcoming); The Book of Interfering Bodies (Nightboat, 2011); The Ecstasy of Capitulation (BlazeVox, 2007); and Arbitrary Tales (Ravenna Press, 2005). His poetry translations include include Raúl Zurita’s The Country of Planks (forthcoming, Action Books); Song for his Disappeared Love (Action Books, 2010); and Jaime Luis Huenún’s Port Trakl (Action Books, 2008). His work has been recognized by grants from the PEN American Center, the National Endowment for the Arts and the Illinois Arts Council. He lives in Chicago.