Robert Ricardo Reese

THE WORLD IS NOT AN ALABASTER BATHTUB

 

 

you saw i was with color      that everything darkened me up & made me abominable

 

you saw the dead skin rub black off of me like off the bottom of an eraser

 

my black blood marks      shedding flesh

 

sloughing in a black washbasin—

 

the streaked scabs over my first skin

 

 

 

perhaps       was it my dad who made me marked—

 

the foreigner i looked like kneeling on her tiles until knees swelled

 

made to face forward & hear my mom tell me

 

“dirty       dirty       you       oh my god       black so dirty”

 

from once a week to two scrubs everyday

 

 

 

did i have harabeoji spin around in his mound

 

did i have harabeoji disavow his blood

 

maybe i did by being       by having be       what was made flesh       already

 

your appa’s voice       his wishes       echoes from the tumulus

 

the inflections of your family

 

tearing away with brillo mitts

SHE      THE MIDDLE DAUGHTER

 

 

stutters in a snow blaze       the wind whipping her tray

 

her in a patchwork dress       sleeves are pulled down

 

 

 

against the coldness       she needs to sell more from lotte

 

coal warm in her nose       layered barely like hay roofs

 

she stands white & yellow legs       in front of the crate on mud

 

 

 

she       the middle daughter

 

 

 

she stands in a cloud shadowed village      at the restaurant she works

 

peddles sticks of american gum       used matchbooks       cigarettes

 

 

 

her brother’s books to be bought as candles of hope

 

 

 

she turns almond eyes from the numbing

 

midwinters       to her father’s hand slapping       over & over

 

 

 

when the winds are lashing       she squats for an evacuation

 

 

 

into her corner in the wet alley       her hands frost bites

 

inside a storm

GEOMDUNG-I; OR HOW TO SAY NIGGER IN KOREAN

 

 

black soldier knew what hate he saw & he still lay down

 

the korean woman       their son learns day after day to wash

 

 

 

the spit from the eyes      but when he does       doesn’t he

 

see the mother whose skin laughed at his

 

 

 

she spoke those days—gave nothing—

 

see your arms & legs are healed       go out & play nice

 

 

 

on most days       he wished for a mother

 

he could trust with a colored boy’s hand

MOTHER'S FIND

 

 

she is in the middle of a field  & is away

 

from family that wouldn’t have helped anyhow       muddy

 

she crawls against all odds       then as she thought

 

“i can find us a blessing”       she brushes among the sweet grass

 

“this is going to get better       i’ll get muddy for your blessing

 

i’m here by hope”       then as only god

 

could’ve found her—a four-leaf blessing in the field—

 

faith—sealed pressed into her bible

 

between the pages       once my dad showed me the inside

 

of an album       son       this clover

 

is how she had enough prayer

 

to have you find at least one blessing from korea

biography

ROBERT RICARDO REESE is a graduate of Santa Clara University with a B.A. in English. His writing has appeared in Asia Literary Review, Blackbird, Drunken Boat, Poems Against War, Santa Clara Review, Poecology, Monterey Journal, and in other journals. A finalist for the California Writers Exchange Award, he is also a Cave Canem Fellow, and a graduate of the M.F.A. program at San Francisco State University. He has taught poetry as a Writer-in-Residence at the Ruth Asawa San Francisco School of the Arts.