Particular Night
We had a roomful of weapons to choose from.
And so we did choose, every night—our favorite
erotic game. This
particular night, we drew a white line
to divide us, as was our custom; I picked a gun
and placed it in your hands with ceremony.
You hadn’t meant
to kill me, finding the thrill
in risk rather than fulfillment
—but you didn’t tell me about the dream for weeks,
it so upset you.
—
Remember
the night I threw the glass,
the night you threw the glass,
the night I broke the mirror, the nights
I tried to jump, that night in Harlem I tore
out my hair and into traffic, the night I took
the pills, the knife I waved in the air screaming
Just do it already, the night, the night, the night
I refused to get out or stop shouting, when you hit me
and hit me, the night I bit your chest and broke the skin,
remember how you held me down but don’t forget
I was crying, and you were holding me.
—
I don’t want to live here anymore. No—
you said that: I don’t want you
to live here anymore. I said
I didn’t want to live anywhere.
(In the emergency room, everyone asking
if you were my father.)
Now don’t you talk to me
about the unconditional, or tell me again
how your great love for me will outlive this, us, et cetera—
I want it finished, the dawn bloody
or not at all.
from Mr. &
Reader, I married him.
the ladle with which she was basting
suspended in air
the same space of time
knives also had rest
fully explaining also why I had thus acted.
I am my husband’s As Fully
his As Free As In Solitude
his As Gay As In Company
then his vision, as I am still
putting into words the effect
of the landscape of his ear
where he wished to go
what he wished to be done
There was a pleasure in my service
that to yield was to be ambitious yet
otherwise delirium
to quit when I was happy and beloved
was dear to me
wandering limbs
trace the steps of my grief
him I must drag
on the grass and kiss
that my vow was heard and that I was reserved
would not consent, formally
He had an aversion
to choosing sustenance
‘Night-walking amuses him, then’
He took his knife and fork
a strong thrilling
Master leaning against the ledge
in his familiar voice
incarnate infancy
the little dark thing
I found it locked
They began
down the old pace
into moments when
she seemed to be sitting beside her lover
transitory sensation of slipping
Mr. seldom spoke
Mr. denuded
pencilled in as December
to whom something irreparable had happened
at Mr.’s side the strain of
no room in her mind
He filled her cup and plate
stray address
his hands behind his head
a lady who was probably his wife
opened a book in a bedroom
on the fifth floor
He had gone to the barber’s
why should she not tell him the truth?
at intervals, an anxious feeling
momentary doubt of its being possible to be cured of her attachment
and really, it was not long
every day was giving her fresh reason
a very promising step of the mind on its way to resignation
Within a month
very little white satin
But, in spite of these deficiencies
man-high
large black car would drive me
at the wrought-iron heart
of the old landscape left off
Everybody would know about me
gingerly
with my mother’s face
martyr’s smile
Maybe forgetfulness
“A man to see you!”
“A man to see you!”
on the glassy rim
that expanse
of grateful snowdrift
cup in the saucer with an awkward clatter
his face like a tonic
or a six-foot-deep gap
biography
JAMESON FITZPATRICK’s recent poems have appeared in The Awl, The Literary Review, The Offing and Poetry, among elsewhere. He lives in New York, where he teaches expository writing at NYU.
Photo Credit: Marcelo Yáñez