Language Treaty
We feed the ducks at the local park, leftover bread from my job at the sandwich shop, the pieces so hard that we worry even the birds will crack themselves. When we run out, when we turn to leave, one starts to follow. Run, you say. Later I text a friend: duck man, those ducks were all over us. & this is how miscommunication begins, the wrong word accidentally inserted in another’s place. The phone deciding on its own how our language will work. Sometimes I try to write a poem & don’t know how. I hit the center of my phone & let it speak for itself: I am a beautiful person. I am a beautiful person. I am a beautiful person.
Deconstruction
The sky heavy with smoke.
Steam, my father says.
It’s all steam.
The steel towers shine,
a gleam against our eyes.
At night—
a small city of lights.
Or at least I call it that.
Language Treaty
So often I want to start a sentence with if &
then follow the word with something that is
not a conditional. If tomorrow we wake up &
there is no sky, then the bees will make honey.
Though, see, even an attempt at the non-
sequitur results in there being some internal
form of sequitur. The bees will still make
honey because they are born to do that. The
bees will still make honey because they are
trying hard to understand the nature of the
changed world. We all are. This doesn’t have
to be about the sky now. If everyone fucks up in a
forest, then why do only certain fuck ups make a
sound? The sky is back & the sky is implied
there & the sky is vital because without it &
the air there would be nothing to convey the
sound waves of the fucking up. Tomorrow we
will wake up & there will only a faint noise
echoing from far away. & the next day,
hopefully, fainter. Someday it all goes away—
the noise, the waves, the forest.
biography
JUSTIN CARTER’s poems appear in cream city review, Handsome, The Journal, Redivider, and Sonora Review. He co-edits Banango Street and lives in Texas.