Laconia
I know what you’re thinking right now. It’s true she took the first
job after high school. What can you do. Sometimes they come from a
black scribble, words like couch, too many long-nippled hounds
rushing the driveway. I know what it looks like to you. This is her
peak. The bonfire by the lake. It’s fall, everyone wears the same navy
blue hoodie. Yes, it’s exactly how you are picturing it. I want to go on,
but what’s the point: She arrived with a man, slightly older. They
screeched into the pull-off, dust like a smoke machine heralding their
duet. He heaved the cooler from the truck bed. She touched her face
nervously, linked her arm through his. I watched them walk the
narrow path to the pit. Occasionally this time of night you hear loons
calling across the water, the sound is foggy, sad, the way it fades
toward the end, like a dinghy sighing before it turns to face a storm.
But not yet. The wind picked up and he pulled her into him, unzipped
his sweatshirt and wrapped it around her, too. There was nothing we
could do. Sometimes they come from thirst, the way lips meet and
separate, a last sip of flat soda shook onto the asphalt, bottle turned in
for a nickel then crushed. You don’t need me to tell you what happens
next: 25 of them drinking and layering on twigs and brush. The night
had become black like the space where a tooth used to be. Like the
absence of tools. Chiseling the hard ground with your bare hands or
maybe just kicking out a hole. You know what I mean. It’s hard to
think about a life before. He had an idea. Sometimes they come from
a need to keep warm, or watch, in the face of problem. Sometimes the
problem is fixed, the way your organs stay inside your body even
when you’ve lost everything else. It seemed like the fire had always
been roaring. He grabbed a beer from the cooler, it felt like a flagpole
in his hand, like it had rained and it was March, no lamb in sight.
When was the last time he shimmied to the top of anything—couldn’t
remember— chucked the can whole into the blaze. You know the rest.
Tell me what you heard. Did you hear the explosion. It started as a
hiss, then burst with such force—sometimes they come from anger,
sometimes ignorance, the end result is the same. The can unfurled
under the pressure, the sharp blade of it into her eye, blood from her
socket petaled her cheek. We could feel her breathing, beating, see
her red eye, black hair plastered to her neck, and the pike dive, face
first to the ground. The loons suddenly screaming: where did you go? Tell
me where I am! The loons screaming and screaming, trying to locate a
familiar, trying so goddamn hard to know something about love and a
place before you go extinct.
Adopting a New Currency
Our new currency made a celebratory entrance. She came in droves,
heaps of riven brocade, cosseted steam trunks without the vapor
rising up. We had misgivings, made our eyes into cattle lowering
under a rainstorm while the grass smelled afraid, clumped and
collected in our soles, could not be shook free. She ate through our
rations; we touched the parts of her that swung. She ate through our
rations; we kept all of our medicine in a small, white lockbox. I had
the only copy of the key, practiced turning it in my closed fist, heard
people coughing and tightened up my fist would not open. The first
time in my life I held something of value was a robin chick pushed
early to flight and pummeled the ground, if you can say it that way.
The sound of a wallet thrown to linoleum after an argument. Nursing
is what one comes to after birth or war, but I was a boy at the time,
fashioned paper cranes out of the worthless bills she replaced, lined
them up in shoebox as if being around some familiar form could
soothe a beast back to health. It didn’t work the way I saw it. You
can spend your whole life saving the one true feeling you ever had—
you can protect it, pretend to see it everywhere. She was darker than
her forbearer, smaller too, and while we felt decent enough
protecting her, I still tried my best to save the pills for the children
that they might fly so far away.
biography
PAIGE ACKERSON-KIELY is the author of My Love is a Dead Arctic Explorer, In No One’s Land and other works of poetry and prose. She lives in rural Vermont and works at a homeless shelter.