THE WORLD IS NOT AN ALABASTER BATHTUB
you saw i was with color that everything darkened me up & made me abominable
you saw the dead skin rub black off of me like off the bottom of an eraser
my black blood marks shedding flesh
sloughing in a black washbasin—
the streaked scabs over my first skin
perhaps was it my dad who made me marked—
the foreigner i looked like kneeling on her tiles until knees swelled
made to face forward & hear my mom tell me
“dirty dirty you oh my god black so dirty”
from once a week to two scrubs everyday
did i have harabeoji spin around in his mound
did i have harabeoji disavow his blood
maybe i did by being by having be what was made flesh already
your appa’s voice his wishes echoes from the tumulus
the inflections of your family
tearing away with brillo mitts
SHE THE MIDDLE DAUGHTER
stutters in a snow blaze the wind whipping her tray
her in a patchwork dress sleeves are pulled down
against the coldness she needs to sell more from lotte
coal warm in her nose layered barely like hay roofs
she stands white & yellow legs in front of the crate on mud
she the middle daughter
she stands in a cloud shadowed village at the restaurant she works
peddles sticks of american gum used matchbooks cigarettes
her brother’s books to be bought as candles of hope
she turns almond eyes from the numbing
midwinters to her father’s hand slapping over & over
when the winds are lashing she squats for an evacuation
into her corner in the wet alley her hands frost bites
inside a storm
GEOMDUNG-I; OR HOW TO SAY NIGGER IN KOREAN
black soldier knew what hate he saw & he still lay down
the korean woman their son learns day after day to wash
the spit from the eyes but when he does doesn’t he
see the mother whose skin laughed at his
she spoke those days—gave nothing—
see your arms & legs are healed go out & play nice
on most days he wished for a mother
he could trust with a colored boy’s hand
MOTHER'S FIND
she is in the middle of a field & is away
from family that wouldn’t have helped anyhow muddy
she crawls against all odds then as she thought
“i can find us a blessing” she brushes among the sweet grass
“this is going to get better i’ll get muddy for your blessing
i’m here by hope” then as only god
could’ve found her—a four-leaf blessing in the field—
faith—sealed pressed into her bible
between the pages once my dad showed me the inside
of an album son this clover
is how she had enough prayer
to have you find at least one blessing from korea
biography
ROBERT RICARDO REESE is a graduate of Santa Clara University with a B.A. in English. His writing has appeared in Asia Literary Review, Blackbird, Drunken Boat, Poems Against War, Santa Clara Review, Poecology, Monterey Journal, and in other journals. A finalist for the California Writers Exchange Award, he is also a Cave Canem Fellow, and a graduate of the M.F.A. program at San Francisco State University. He has taught poetry as a Writer-in-Residence at the Ruth Asawa San Francisco School of the Arts.