slow pursuit
The shame-flush is at my back again
like a great gray thing like following
the deadI’m the same
barbarian sweating here for a century
white animals are a favorite
house of transmigrating souls
a negative space between two fires
yet my days are spent
lounging like a romana canon-
bore is a nest for birds
an unshapely divinity
kept burning by the faithful
in the image-houses
of your private silence
I see you slowly losing
your mindI don’t refuse it
white hot
Rice fields are a nicer postcard
of the parasite that caught me
or the ice-hole I tongued to cool
at the templea glass room filled
with the bones of the missingall
here smile toward the glassthe bones
in some kind of gesturemy god
demandsthe sun-colors saturate
voices from the heapthe dead drip
through the livingthe gods all
wear the same hat
I ate the lotus pod for the gods
demanded itI cracked
the pods on my forehead like the natives
dothey demanded
I move in the rainso I sit
the others grow wet
under the palm I consider
the palm has been used
to slit throatsI sit
hush
My musician blind or limb-
lessdo the feelings drag
harder for it
here art is so rare they call it Living
the high wet noise of economy
pitch of palm leaf along a throat
please don’t step on the bones
each wet season spits up
or keep as dark souvenir to prove
you recognizedo you
feel another’s pain in the palm of
your handdry & nearly weightless
the sea-light is especially full
drunkjust beneath the crash
drift all the things I fear
or the fearof nothingI gather
the dead things puffed up & nameless
as all the obvious fetishes
the cats gather at the switch
of the generator in hot dark lack
the trees slip awayall left a lapping
sea or the circle of fur
skin-met is the sound is the
sound is the sound I stroke back
and hope
the sea-lights take shape as
I pay to watch a boy in his underwear
catch and end my dinner’s life
the light again goes limp
and I’m thankful for itmy name
becomes stranger every time
I say it I’ve been convinced
of nothing but the mere fact of listen
I’m sorryfor in my mind I reversed it
and you were deadwe all were
better for it
this is too close to the truthyet
still a shade of purple or the sigh
of a door with pressure applied
let’s call it pressureto be precise
I lay you downbreath-to-
breath I could make no demands
better people than us have
only kept in the fake-breathed days
we lived by the pulse of your damp vault
of course there was the snow-
muffle chill of every basement’s
banality of boxes full of fuck-knows
for the Christmas ornaments were still
on the tree like a sick mirror of the word
I won’t writethe quiet between
your father and I as he moves carefully
through the sightless white guilt
of my own warm breath obscuring
the dark reflection
possession
I keep your word nearest
for the sun cannot but
pale even memory
does not reach the bedroom nor
dingy white of the window
cover
authenticity of living
in a constant wave of sullen protest
or the pulsing neon epiphany
just before the power fails
what of the young man
possessed he’s given
amulets & simple prayers
to cure
the young man eats
what’s placed before him
always
one night they say
on the beach the object appeared
with too much wine amulet forgotten
in his shirt pocket near to the beating-
thing which cannot pardon so like the fade of the moon
for dawn he went
to the water I called him back light broke
biography
TARYN SCHWILLING is a graduate of the Iowa Writers’ Workshop, where she was awarded a post-graduate fellowship. She recently completed a Fulbright research grant in Cambodia and is currently a lecturer at The American University of Iraq. Her first book, The Anatomist, is forthcoming from YesYes Books. Her work has recently appeared or is forthcoming in West Branch, Petri Press, Tupelo Quarterly, and Linebreak.