Reading Plath in Early April
The bees gallop—no, that’s not right—the bees
won’t stray from—the bees’ astonishing delay—the bees
turning back—the most perfect passage—they take
place, I mean, in the world as it thickens—they have
their way—misdirection, like spring, is a turning—the bees
in each firm beginning—the bees loom, stub—the bees—
every indiscretion—the bees render—twisted into hollowed
tree trunks, in nests underground, we find them always
when we least expect to—the bees look alike—bend the branch
down to set them reeling—they know no better—their
stinging is solitary work—the bees’ every single note—
the hive is a circuit board—the bees, as a child I thought
the bees, their stingers, could stitch, make small leaps up
or down my arm, plunge plunge plunge—the bees, though,
sputter through—the eye is most ours when shut—the bees
find all they want—come with me—they collapse too.
biography
GARY McDOWELL is the author of a collection of essays, Caesura: Essays (Otis Books/Seismicity Editions, 2017) and five collections of poetry, including Mysteries in a World that Thinks There Are None (Burnside Review Press, 2016), winner of the 2014 Burnside Review Book Award; Weeping at a Stranger’s Funeral (Dream Horse Press, 2014); and American Amen (Dream Horse Press, 2010), winner of the 2009 Orphic Prize for Poetry. He is also the co-editor of The Rose Metal Press Field Guide to Prose Poetry: Contemporary Poets in Discussion and Practice (Rose Metal Press, 2010). His poems and essays have appeared in American Poetry Review, The Nation, Gulf Coast, The Southern Review, New England Review, and others. He lives in Nashville, TN, where he is an associate professor of English at Belmont University.