apocalypse with maybes
fire / brimstone / wonderful boom
i think less about the end and more about what’s on the fork next
but it feels close, doesn’t it?
like i should carry seeds beneath my tongue
a sharp edge to spear with just in case
or who knows the world could end up all water
the pot overflowing
skin brined and tumbling, my knees wrestled to my chest
the finale not unlike the start—
a cradle of ribs, a hard bowl of hips
but a womb is not a fallout shelter
i’m convinced mine isn’t even habitable haven for nothing
no bread left to ration
the root here may be an inheritance of miscarriage
my body’s curfew budding closer doubt
maybe i’ve stood too long in front of the microwave
impatience the salt of my undoing
leftovers reheat the way they always do— hot edge, cold middle
no consequence of milk or swell
but i’ll blame the brewing end
the flint of the world so close to the match
say i don’t want to multiply ache
like i’m some responsible bitch hell-bent on leaving no trace
and when it happens when the water crests my throat
and there’s no one with my mouth
no heart beneath my heart
i’ll still press my lips to maybe and drink
acquired taste
pale and ordinary, my body swept across the hardwood
the same arms + legs wave an X from the floor scatter of what is burnt
/ ash angel /
not much more than what i leave behind
here there is boredom moonlighting as ritual
here
ivy snaked around my tongue like a straw wrapper on a finger
except chlorophyll / except i bite
so often i’m a dead ringer
for a stimulant /little (sometimes) buzz that helps you feel alive
the moon wants a little pick-me-up, lets down her roots
unstuck to the earth by my own muscle, i self-boost
o moon i reach for her ladder of nest + blood
carousel an orbit / dizzy what’s alive down there
i watch the body, my body, glittering seed of agency, from above—
too high up to face myself, to shout down
everything you touch is singing, baby, you’re all harvest
21st century Venus, your spine realigned with a trellis
i forget to say this like a lot of words
so i see how fardown my throat i can grow a vine of deficiencies
no one criticizes the moon when she’s a crescent of what she can be
my tongue is heavy and allergic with gravity
the way the tides swell with the rise after they sink
the way even the sun is made up of the dead
in other cornfields
i have pressed my palms down to see what sitting
would be like, hovered before surrendering but never here
i wasn’t worried about dampness, to be muddied
slick-wristed with you would be nice, i just wondered
if the ground could hold
in fact, i’ve never parked a truck in the middle of the road
never shifted on the canyons of cutdown rows
rows where you stopped blaming another wound
another woman and like silks from kernels, i unwrapped
myself from that excuse–
and if any of us don’t get to the truth, soil cracks to dust
no seed can take root– so you told me how bodies
were men you’ve only undressed in your mind and the field
became a room, walls made of wait, abstain, the hollow places
in the ground looked lonely
without a shirt tossed or a shoe on its side and i could’ve said
anything but instead i held my breath, held your knee
as if i could anchor you to what passes between us
for the first time, how clear the night was
love, a flannel buttoned to the throat
if all the husks lying in rows were arms to hold
i’d give them all to you, they are all for you
biography
nicole v basta’s chapbook V was chosen by Rigoberto González as the winner of The New School’s Annual Contest. She is the co-founder of the Brooklyn-based art community + performance night Say Yes Electric Collective that ran from 2015-2018. Recent poems appear or are forthcoming in Ninth Letter, Nat. Brut, New South, Painted Bride Quarterly, Bone Bouquet, and elsewhere. She writes and lives to foster reverence for the earth, her ancestors, and the collective spirit of pre-industrial society. Find her hologram & her book at nicolevbasta.com.