S. Yarberry

 

 

CHAPTER

 

 

Days pass like perfume into the air.

 

Fear eats at you like a dog. There’s

 

a dog in the neighbor’s yard. You listen

 

as the bus comes and goes and comes

 

and goes. You call this: keeping time.

 

There was once a harbor, in your childhood,

 

the harbor kept expensive boats

 

and strange animals. Occasionally

 

a big fish, a seal, a dolphin. There was nothing

 

safe about the harbor, though you were

 

told it was so. When you entered the

 

harbor it felt like anything, anything

 

at all, could hurt you. And then

 

you felt like that all the time. There’s a noise

 

in the other room. There is always

 

something that should not be, being,

 

being and won’t be stopped.

 
 
 
 
 
 

CHAPTER

 
 

In the days that followed many words were

 

said. You had to have known. You had to

 

have known. You enter a stranger’s house

 

per their instructions. You get into bed.

 

Oblivion. A bed is like a harbor. Anything

 

can happen. Anything can hurt you. If you

 

want to be hurt? You can wear your

 

pain like a badge upon your shoulder.

 

If you want to be hurt you can live

 

through anything. What do you mean?

 

A voice is asking, is asking everyday.

 

I don’t mean anything, I don’t mean

 

anything by it. You’re almost shouting.

 

The truth so close to your lips. You take notes:

 

blue armchair, dripping faucet, three cans

 

on the coffee table, blue sheets, blue

 

blankets, blue coat. You wish to wear

 

oblivion like a coat. You don’t mean anything,

 

the voice says back, almost laughing now.

 
 
 
 
 
 

CHAPTER

 
 

In the morning the snow is dust, snow dust.

 

In the morning there is a lone body

 

on the sidewalk. The body is walking

 

towards you. The streetlights casting a

 

weak glow. Dawn sputtering. Daylight

 

grizzling above the pines. The body

 

moves like it is scared of you. You stay

 

very still like you’re scared too. You can

 

taste wine from last night still on your

 

breath. You brush snow from your windows.

 

Slowly. You’re touching everything slowly.

 

Your hands are numbing, but you don’t stop.

 

In the car the heat feels good. The heat

 

feels good in the morning. Where am

 

I going? Last night, you let her do what

 

she wanted. What she wanted became

 

what you wanted. There’s a bruise on

 

your body. You feel it against your shirt.

 

There’s a bruise on your body like a pool.

 

Inside the bruise you put the memory. It

 

wades in and never comes out.

biography

S. YARBERRY is a trans poet and writer. Their poetry has appeared in Tin House, Indiana Review, The Offing, Redivider, jubilat, Notre Dame Review, The Boiler, miscellaneous zines, among others. Their other writings can be found in Bomb Magazine, The Adroit Journal, and Blake/An Illustrated Quarterly. They currently serve as the Poetry Editor of The Spectacle. S. has their MFA in Poetry from Washington University in St. Louis and is now a PhD candidate in literature at Northwestern University.