A Poem for Landlords
Today I paid my landlord
at the last possible minute
on the last possible day
of the month which is
on the 5th day of the month.
It is the 5th of November, 2012.
Poets hate their landlords.
This is an imperative. It has no grammar.
Maybe it has a crude grammar.
I am not writing the check until
the last possible minute
in my car because I have
so much hatred in my heart
for property and landlords
but not land or streams
since I love the Romantics
since I am also a romantic
when I am not practicing
stupid conceptual poetry
like going to TJ Maxx
and looking at my face.
I have been thinking
of the body of my three-year old
and how it is so new and so unstable
and how I don’t want him to ever feel
happy in this world.
I don’t mean it like that.
I want him to feel joy
but not happy in the sense
that he feels content.
I want him to also feel
contempt for landlords
the same way that I feel
contempt for landlords
and how I have hated them all
in exactly the same way
which is an abstract hatred
since it reaches into the future
as well as a concrete hatred
since it is right here
in my parked car as
I write this rent check
and how the hatred is sophisticated
in the manner of a Marxist
and how it is unsophisticated
like the juvenile delinquent
I will always be even when
I’m very old because
for whatever reason
that simply could not
be beaten out of me.
So back to this check
I don’t want to write
and writing the numbers
of amounts of money in cursive
which is the last place
in the world in which I use cursive
and writing out a check
which is also the last place
I write checks and how
if I don’t do this
I would need from now
on to get a money order
to pay the landlords
I despise who are all
exactly the same
and whose threats are
all exactly the same.
I do not want to feel this hatred.
I want to feel joy and I want
my little infant to feel joy
and I don’t want her
to grow to be happy.
I don’t mean it like that.
I want her to feel joy
when she walks in a forest
or by a river looking at birds.
But never should she
feel happy or complacent.
If she feels one day
a “seething contempt,”
I will be proud of her for I shall know
she is my daughter.
I know that I should be happy
for them, my children,
if they are happy
but this is not the case.
Oh don’t become tax
Collectors!
I am writing this so quickly.
Soon Craig will be home
and I will need to breastfeed
and cook dinner.
I am writing this so fast.
I will not be able to look
back at it but just now
I am looking back at it since I made
dinner and cleaned the house
and I am also revising it
and thinking about how
my anger has subsided
because at dinner Ezekiel
told me he kissed
his friend on the cheek at school
and he says it is “okay to hug
a friend but we
don’t kiss friends at school.”
I will post this on my blog
immediately.
It is Nov 5th, 2012
biography
SANDRA SIMONDS grew up in Los Angeles, California. She earned a BA in Psychology and Creative Writing at UCLA and an MFA from the University of Montana. She earned a PhD in Literature from Florida State University. Her second book of poems, Mother was a Tragic Girl, was published by Cleveland State University Poetry Center in 2012. She is also the author of Warsaw Bikini (Bloof Books, 2008), which was a finalist for numerous prizes including the National Poetry Series; she is also the author of several chapbooks including Used White Wife (Grey Book Press, 2009) and The Humble Travelogues of Mr. Ian Worthington, Written from Land & Sea (Cy Gist, 2006). Her poems have been published in many journals including Poetry, The American Poetry Review, Gulf Coast, The Believer, Colorado Review, Fence, Columbia Poetry Review, Barrow Street, Volt, New Orleans Review and Lana Turner. Her creative nonfiction has been published in Post Road and other literary journals. She currently lives in Tallahassee, Florida, and is an Assistant Professor of English at Thomas University in Thomasville, Georgia.