After Foreclosure
I am the stowaway
the captain tied to the deck
and tattooed blue,
head to toe,
just to remind the others
of half the shadow
of half of the whale.
Soon enough, we all learn
the fist is the uncle
of the heart,
and I am changing my name
to Baron of the Blue Sky,
to Blue Savior
I believe words
have a mouth
with sharp teeth.
I am learning
how gently to lift them.
What if we all traced
checker boards
into the silt
with the heels of our shoes?
The whole shore
a tapestry of boxes.
What if we said King me?
King me.
Shadowland
Out here with a clam-rake,
I can slip out of the day
as easy as unbuttoning
a light blue shirt with my name
stitched in red cursive
above the chest pocket.
I can reach into my floating bucket,
open up a littleneck clam
and slide that sweet meat
to a space in my body
so protected, the light
has never touched it.
And that’s a strange thought—
that there are parts of me
I’ll never lay an eye to,
that I’ll never really know.
Because sometimes I’m tricked
into thinking I know everything.
But how is that possible when once
even this bay, Massachusetts,
and the whole country too,
was darkness on a map?
Not too terribly long ago
a candlelit cartographer might have written
Here be dragons, or Shadowland.
Here be a waterfall of sea
dropping into limitless nothing.
Which means, three years ago,
when I yelled back at my father,
I’m not a caveman,
he was right to reply,
You don’t know shit.
Anything I think I know
is like the houses here lining the cliffs:
they slouch, or are propped up on stilts
like chipped spinning plates.
And even my eyesight is a child
first learning to lie.
When I turn back to the shore,
anyone I think I know
is a stranger swirled
in a heat as thick as liquid.
And if the sun
makes them squint
just right, what am I
but the shadowed
shape of a person
quietly dividing in two?
All the Ships Tied in,
and the harbor lights
bleed together
like a heap
of burning tires.
He didn’t come back,
and I open up
a can of peanuts,
a Sprite, a silver
emergency blanket
to draw the heat
around me.
A small waltz
of Styrofoam cups
on the dock.
The gulls still alight
on the pilings, but now
their throat-sick squawks,
away from shore,
sound like mourning.
Still, it’s nothing
like mourning to them.
biography
KEITH LEONARD is the author of Still, the Shore (YesYes Books, 2013), a chapbook of poems. He has held fellowships from the Sewanee Writer’s Conference and Indiana University, where he received his MFA and served as Poetry Editor for Indiana Review. Keith’s poems appear or are forthcoming in Best New Poets, Hayden’s Ferry Review, The Journal, The Laurel Review, Mid-American Review, and Washington Square Review, among other journals.