Keith Leonard

After Foreclosure

 

 

I am the stowaway

the captain tied to the deck

 

 

and tattooed blue,

head to toe,

 

 

just to remind the others

of half the shadow

 

 

of half of the whale.

Soon enough, we all learn

 

 

the fist is the uncle

of the heart,

 

 

and I am changing my name

to Baron of the Blue Sky,

 

 

to Blue Savior

I believe words

 

 

have a mouth

with sharp teeth.

 

 

I am learning

how gently to lift them.

 

 

What if we all traced

checker boards

 

 

into the silt

with the heels of our shoes?

 

 

The whole shore

a tapestry of boxes.

 

 

What if we said King me?

King me.

Shadowland

 

 

Out here with a clam-rake,

I can slip out of the day

 

 

as easy as unbuttoning

a light blue shirt with my name

 

 

stitched in red cursive

above the chest pocket.

 

 

I can reach into my floating bucket,

open up a littleneck clam

 

 

and slide that sweet meat

to a space in my body

 

 

so protected, the light

has never touched it.

 

 

And that’s a strange thought—

that there are parts of me

 

 

I’ll never lay an eye to,

that I’ll never really know.

 

 

Because sometimes I’m tricked

into thinking I know everything.

 

 

But how is that possible when once

even this bay, Massachusetts,

 

 

and the whole country too,

was darkness on a map?

 

 

Not too terribly long ago

a candlelit cartographer might have written

 

 

Here be dragons, or Shadowland.

Here be a waterfall of sea

 

 

dropping into limitless nothing.

Which means, three years ago,

 

 

when I yelled back at my father,

I’m not a caveman,

           

                                                                                                     

he was right to reply,

You don’t know shit.

 

 

Anything I think I know

is like the houses here lining the cliffs:

 

 

they slouch, or are propped up on stilts

like chipped spinning plates.

 

 

And even my eyesight is a child

first learning to lie.

 

 

When I turn back to the shore,

anyone I think I know

 

 

is a stranger swirled

in a heat as thick as liquid.

 

 

And if the sun

makes them squint

 

 

just right, what am I

but the shadowed

 

 

shape of a person

quietly dividing in two?

All the Ships Tied in,

 

 

and the harbor lights

 

 

bleed together

like a heap

 

 

of burning tires.

He didn’t come back,

 

 

and I open up

a can of peanuts,

 

 

a Sprite, a silver

emergency blanket

 

 

to draw the heat

around me.

 

 

A small waltz

of Styrofoam cups

 

 

on the dock.

The gulls still alight

 

 

on the pilings, but now

their throat-sick squawks,

 

 

away from shore,

sound like mourning.

 

 

Still, it’s nothing

like mourning to them.

biography

KEITH LEONARD is the author of Still, the Shore (YesYes Books, 2013), a chapbook of poems. He has held fellowships from the Sewanee Writer’s Conference and Indiana University, where he received  his MFA and served as Poetry Editor for Indiana Review. Keith’s poems appear or are forthcoming in Best New Poets, Hayden’s Ferry Review, The Journal, The Laurel Review, Mid-American Review, and Washington Square Review, among other journals.