Specie
I knew about the gun. And the gun, it knew about me.
The money was gone. We were surrounded by things.
Days were spent in subtraction: ghost-like ends of bread,
eaten oranges, eaten eggs. The heat circulated the vents
and made our bodies lighter. Furniture cast shadows
over the floorboards, pathing the bedroom to bath,
kitchen to front door to window and back.
Days we spent dusting, wet cloths in our hands.
Days we spent keeping the moving parts noiseless
with grease. We kept casings from dust, engines
from rust, shed rags like rosary beads ringing
our feet. We kept windows locked, blinds turned
against the soundless, churning street,
the light exhausting color out of text and cloth.
The gun hung mute and heavy inside the drawer
farthest from the door. At night, claw marks scored
a radiation around the lock gleaming a gold, distant
sun, small enough to hide with a hand.
Strain in Horror Vacui
I too abhor the vacuum,
the pulling empty
empty of empty, lunar inhalation, the heft
of the portraits of the dead
slivered inter-page
I too shore up against
the flooded, fractured, besieged,
and the fruit to rot soft and sweetly
on the counter, dresses hung
in beheaded, female delimbed
strata of impossible plumage
in the closet, the flash and clang
of jewelry crude as handmade
lures and the constant unspooling
of music from the corner of the room
while the television mutters aquarium blue
across the wall windowed in pictures
I too must break
silence against that I crack
jokes, prod a laugh, mock, affect
a bird faking flightlessness
in a circular hobble weaves and drags
a wing in one half
of a cape and danger
away from the breast of the nest
that offers, platter-like, the defenseless eggs—
and rhyme an upended bottle, medicine
and poison, the cut
of meat that disappears with a sweep
of an ink-black top hat
from the waxing white plate
ringed in chipped wild flowers
vased wild flowers performing
death in a softening technicolor
centerpiece, tablecloth pattern pathing
back and away and when I pray
I pray to the tic stitching moment
into future, utter into mimic,
into distract, into hide, and I cry
out in the melodic strains of my prey
biography
MAGGIE QUEENEY reads and writes in a pink house in Chicago. Her recent work has appeared in Copper Nickel, Matter, Southern Poetry Review, The Southeast Review, and Handsome.