I come down the road with two arms hanging
This
poem is that is no poem this
pulsar the poem is
swaying like the end of the century, singing
songs of clouds
and microchips.
Bye, planet!
Bye, American trees!
There is nothing on your dripping red hands but the folds
of your anxious
face.
I grab a chair
and then a cooler one
as the century sinks
into its tub.
Close all the windows, shut
all the doors.
To weep too loudly
is to be seen as a fool.
It's like summer and you are on the moon
The more I stare at your video the
more I’m going to throw it back at you.
It’s like it’s 1995 all over again
and you are in your room spacing, listening
to the sounds of moon
passing moon: “Oh hai,
I am on the moon.”
“Oh hai, I am on the tour Eiffel.”
“I can’t stand the rain, bluer
than bones,
or the moon, shining
like a picked lock.”
But the clouds
vanish and the stars vanish
and the earth
vanishes, leaving only these voices
and that rubber moon.
You call
and call but no one picks up the phone.
Space is a mouth full of suicides.
Space is a room full of roses.
Do you hear me?
YOU ARE ALL IN REAL SPACE!
Then you wake up naked after it’s rained.
You wake up from your hard life.
You wake up your wife.
This lamp is your lamp
Bombs on our backs, crumbs
in our eyes we
gather. We gather as if to slay
the gorgon Medusa, her hair
a mass of tumbling stars.
Medusa, glove
among the candles,
grave among the rocks, touch
not your breath to the screen.
Dying is basically the same
as becoming a tree—just quicker
and more emotional.
Medusa, paddle for hours.
Look at a leaf and pee.
Death is
only the middle, sweet
as a sky with its crows.
biography
DAWN SUEOKA’s work appears or is forthcoming in West Wind Review, Shampoo, smoking glue gun, and Coconut, among others. An essay on John Cage appears in Jacket2. Her chapbook, Little Uglies, will be published by Bloof Books in 2014. She lives and works in Honolulu, Hawai‘i.